“Liberation is a World We Weave” (2026)

Location: 1640 Columbia Rd. NW, Festival Center back wall

Created in conversation with organizers, residents, and cultural workers of Adams Morgan and Ward 1, “Liberation is a World We Weave” highlights communities and movements that have blossomed in the neighborhood across generations. Explore this page to learn more about the many movements, frontline communities, and stories of people power represented in the mural.

Featured movements and figures from history include Nkenge Touré, a former Black Panther Party and a leading figure in the DC Reproductive Justice movement; Colin “Topper” Carew, founder of The New Thing Art and Architecture Center which became a community staple and hub for youth empowerment; 1970’s tenant organizing against gentrification. The mural also celebrates contemporary liberatory organizing—ranging from mutual aid and immigrant defense to anti-war, anti-genocide, and international solidarity work—symbolized by beloved DC organizers Arely Andrade, Maha Hilal, Luci Murphy, Antonia, Ana Rondon, Afeni Evans, Felix M. In the background are references to the Malcolm X Drum Circle, the neighborhood fight to save Adam’s Morgan Plaza, Ward 1 street vendors, All Souls Church, and Cesar Maxit’s iconic cloudy car.

This project was supported by the DC Commission on Arts & Humanities Public Art Building Communities Program.

ACKNOWLEDGEMENTS

Installation support: Yves Mavuba, Selena Jackson, Joseph Irek, Michelle Chen

Administrative support: Michelle Chen and Ilaf Ayyash

Documentation: Antonio Hernandez (video), Yves Mavuba (photo/video), Merawi Gerima (photo)

Marketing: Hope Glastris (flyer and support for print design)

Reference photos by: Nancy Shia, Ali Farnoud, Rob Klug, Tom Zetterstrom

Interpretation support: Zuleima

Volunteer/additional support: Ryan Allen, Federico Frum, Ursula Lee, Gabrielle Ellis, Hope Glastris, Benji Rivera, Sarah Stern

Shout out to DCLocal2Global, Natacia Knapper and Ward 1 Mutual Aid for ongoing project support, Cesar Maxit for his button design contribution, and all those who participated in the community engagement-driven design process.

THE PROCESS

The design process was an iterative one, continuously informed by community conversations, both in group and 1:1 settings, facilitated and organic.

2025

  • Spring-Summer 2025: 3 in-person engagement sessions with community members at the Festival Center, interpretation thanks to Zuleima with Ward 1 Mutual Aid; Virtual survey for neighbors, FSOs, community members that use the community center; Submission of grant application to DC CAH

  • October 2025: Grant awarded

Winter & Spring 2026

  • Community feedback on designs

  • Site preparation and project planning

  • Ongoing neighborhood/community interviews

Summer 2026

  • Mural Installation begins

  • Youth Workshop with Sitar Arts Center Summer Mural Arts Interns

  • 7/12 Community Paint Day

September 2026 Mural Unveiling: In coordination with Adams Morgan Day, the Mural Unveiling featured an afternoon of performances, community speakers, children's activities, and international food pop-up market. 

We align technical insight with disciplined execution to provide measurable gains across operational, financial, and strategic domains.

SOURCES

Publications

Interviews

  • Kimberly Andrade

  • Eddie Becker

  • Abena Disroe

  • Roberto Dominich and Francisco Duque

  • Shango Kwame

  • Cesar Maxit

  • Nancy Shia

  • Luci Murphy

  • Robert Smith